The VP HDRI Skydomes have a very high dynamic range, which is best to create sharp sun shadows. Also they have an accurate white balance that will bring convincing and colorful lighting into your scene with a few clicks.
Basically you just need to follow 2 main steps: First to create a vray light dome and second to create a vray physical camera with proper exposure settings.
Until this point, we have created our light system, in the next point we will treat the camera settings. Before we move onto the next point, let’s speak about the gamma setting. This setting allows colors to have more punch and contrast, in an high dynamic range context it means that bright spots are much brighter than normal, therefore creating sharper and stronger shadows. You can decrease this value if you feel the light is a bit too flat to bring more contrasts, or increase it if the light gets too harsh.
There are basically two things we want to achieve when setting up the camera: a proper exposure, and an adequate white balance.
If you want to use the same hdri skydome for the background, you can just add the same map to the environment slot of the render Environment Map. If you can´t match the background with the lighting of the vray domelight, you can also create a second copy of the vrayHDRI map with different settings and split these two.
Setting up the white balance :
Using the temperature option is probably the easiest as you can directly change a value and get a cooler or warmer result. For most of conditions, a value ranging from 4500 to 6500 should give you best results. You can always use the eyedropper of the Vray Frame Buffer to see whether a supposed white area is too blue or too red and adjust the temperature according. If it is too warm one must decrease the value, and oppositedly if it is too cold one must increase the value.
Also, sometimes having white areas looking blueish or reddish can lead to a better overall result and is dependant on the mood you try to achieve !
Using the temperature option is probably the easiest as you can directly change a value and get a cooler or warmer result. For most of conditions, a value ranging from 4500 to 6500 should give you best results. You can always use the eyedropper of the Vray Frame Buffer to see whether a supposed white area is too blue or too red and adjust the temperature according. If it is too warm one must decrease the value, and oppositedly if it is too cold one must increase the value.
Also, sometimes having white areas looking blueish or reddish can lead to a better overall result and is dependant on the mood you try to achieve !
No comments:
Post a Comment